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Russian and Soviet Films

Man with a Movie Camera: experimental film documentary with the camera as central character

Dziga Vertov, “Man with a Movie Camera” / “Chelovek s Kino-apparatom” / “Liudyna z Kinoaparatom”

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Eastern European Films

The Cathedral: search for life’s purpose and oneness with God isn’t fulfilling in this little film

Tomasz Baginski, “The Cathedral” / “Katedra” (2002) It’s a short film – less than seven minutes

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Russian and Soviet Films

Dead Man’s Letters: post-apocalyptic dystopia is depressive in style and tone but holds out hope for humanity

Konstantin Lopushansky, “Dead Man’s Letters” / “Pisma myortvogo cheloveka” (1986) Depressive in tone but with

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Russian and Soviet Films

The Space Voyage: space adventure propaganda piece for kids is a little subversive

Vasily Zhuravlov, “The Space Voyage” / “Kosmicheskiy reys: Fantasticheskaya Novella” (1936) In the 1930s, the

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Russian and Soviet Films

Aerograd: great visuals of wilderness and flying planes in Soviet war propaganda film

Alexander Dovzhenko, “Aerograd” (1935) It’s a well-made film with stunning shots of wilderness and planes flying

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Australian and New Zealand Films

Once Were Warriors: compelling film with complex characters but disappointing message

Lee Tamahori, “Once Were Warriors” (1994) An intense film from New Zealand of a family

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Middle Eastern Films

Waltz with Bashir: a film revealing repressed memories and a hideous war crime in parallel

Ari Folman, “Waltz with Bashir” (2008) Few movies about war must be as personal and intense as

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Southeast Asian Films

Living in Fear: unusual and eccentric black comedy about finding redemption in digging up landmines

Chuyen Bui Thac, “Living in Fear” / “Song trong so hai” (2005) It’s mid-1975, the

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Russian and Soviet Films

The Sky Calls: visually striking film that’s low on excitement and high on propaganda with a surprise twist

Mikhail Karyukhov and Alexander Kozyr, “The Sky Calls” / “Nebo Zovyot” (1959) A visually stunning

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Northern European Films | Russian and Soviet Films

The Sampo: good-looking film with a moral let down by watered-down story and wooden acting

Risto Orko and Alexander Ptushko, “The Sampo” (1959) A joint Finnish-Soviet fantasy production aimed at

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