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British Films

Waltzes from Vienna: Hitchcock ill at ease with musical comedy of Johann Strauss II

Alfred Hitchcock, “Waltzes from Vienna” (1934) What’s this? – a musical comedy about Johann Strauss

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French and French-language Films

Man Bites Dog: strong satire on Western cultures’ obsession with sadistic violence

Rémy Belvaux, André Bonzel, Benoît Poelvoorde, “C’est arrive près de chez vous” (“It could happen

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German and German-language Films

Cargo (dir. Ivan Engler): too much cargo taken on board in the plot and characters wreck a visually fine film

Ivan Engler, “Cargo” (2009) Debut full-length directorial feature for Ivan Engler, “Cargo” is a bloodless

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North American Films

Eraserhead: fascinating and hilarious dark horror film about social and religious pressures on struggling families

David Lynch, “Eraserhead” (1977) Five years in the making from 1971 to 1976, “Eraserhead” was

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North American Films

Blue Velvet: satirising American suburbia as cartoony more important than plot, characters and issues of exploitation

David Lynch, “Blue Velvet” (1986) A beautiful film to watch with noirish elements and a

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Japanese Films

Symbol (dir. Hatoshi Matsumoto): polished and slick slapstick comedy on nature of the universe

Hatoshi Matsumoto, “Symbol” (2009) A slapstick comedy about interrelationships and the impact one person can

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British Films

Secret Agent (dir. Alfred Hitchcock): morality of espionage is questioned in an ordinary film lacking suspense

Alfred Hitchcock, “Secret Agent” (1936) The surprising thing about this film is that lead actor

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Russian and Soviet Films

Aelita, Queen of Mars: a multi-plot story with a moral about living in fantasy versus living in reality

Yakov Protazanov, “Aelita, Queen of Mars” (1924) This silent Soviet film from the mid-1920’s can be

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Northern European Films

Frostbiten: comedy/horror vampire story lacking in teeth

Anders Banke, “Frostbiten” (2006) ‘Tis a Swedish vampire movie that begins with a shot of

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Northern European Films

Corruption, authoritarianism, oppression of women and intolerance are a hidden presence in “Häxan: Witchcraft through the Ages”

Benjamin Christensen, “Häxan: Witchcraft through the Ages” (1922) Intended as a study on how superstition

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