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North American Films

Fill Your Heart with French Fries: dark comedy about grief, social media celebrity and exploitation

Tamar Glezerman, “Fill Your Heart with French Fries” (2016) Based on an actual incident in

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North American Films

Trunk Space: familiar and predictable story and plot elements redeemed by good performances

Max Silver, “Trunk Space” (2016) As surely as the sun rises in the east, birds

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North American Films

Last Requests: quiet naturalistic character study gives insight into US prison culture and the people it exploits

Courtenay Johnson, “Last Requests” (2017) A sombre character study of a prison worker on her

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North American Films

The Incident at Benghazi: a good summary of an ambitious diplomat’s career bites off more than it can chew

Carlton Meyer, “The Incident at Benghazi” (31 July 2020) As short reports go, this one

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North American Films

The American Annexation of Okinawa: an overview of the post-1945 history of the Ryukyu Islands under the US military

Carlton Meyer, “The American Annexation of Okinawa” (Tales of the American Empire, 24 July 2020)

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North American Films

Chappaquiddick: character study deprived of its wider historical background and significance

John Curran, “Chappaquiddick” (2017) A thoughtful and well-acted film, as the metonym title suggests, this

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British Films

Breaking an individual to intimidate others in “Not In Our Name: The Psychological Torture of Julian Assange”

John Furse, “Not In Our Name: The Psychological Torture of Julian Assange” (July 2020) Making

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Australian and New Zealand Films

The Power of Falun Gong: a timid presentation of a dangerous and deranged fascist cult

“The Power of Falun Gong” (Foreign Correspondent, Australian Broadcasting Corporation, 21 July 2020) Purporting to

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North American Films

The False Tale of Killing Osama bin Laden: duping the public with fake news for political gain

Carlton Meyer, “The False Tale of Killing Osama bin Laden” (Tales of the American Empire,

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Russian and Soviet Films

Azarkant: a good-looking sci-fi piece short on plot and character

Andrey Klimov, “Azarkant” (2013) Made as a proof-of-concept piece for a film, “Azarkant” understandably is

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