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British Films

Treasures Decoded (Season 4, Episode 1:The Real Tower of Babel): breathless rush admits no disbelief about inspiration for Bible story

Elliott Kew “Treasures Decoded (Season 4, Episode 1:The Real Tower of Babel)” (2017) The Bible

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North American Films

Atomic Blonde: anaemic bland fallout from this plutonium blonde bombshell that fails to ignite

David Leitch, “Atomic Blonde” (2017) I confess I had very low expectations of this spy

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British Films

Treasures Decoded (Season 4, Episode 8: Garden of Eden): exploring the mystery behind the transition from hunting and gathering to agriculture

Tom Cebula, “Treasures Decoded (Season 4, Episode 8: Garden of Eden)” (2017) Many if not

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French and French-language Films

The Thief of Paris: a tedious, lacklustre comedy of one individual’s rebellion against social hypocrisy

Louis Malle, “Le Voleur / The Thief of Paris” (1967) A crime comedy caper starring

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British Films

Treasures Decoded (Season 4, Episode 6: Shrunken Heads): phenomenon of shrunken heads hides a history of cultural exploitation and degradation

Peter Crystal, “Treasures Decoded (Season 4, Episode 6: Shrunken Heads)” (2017) Shrunken human heads are

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French and French-language Films | Northern European Films

The Passion of Joan of Arc: an experimental film let down by its narrow focus, story-line and characterisation

Carl Theodor Dreyer, “The Passion of Joan of Arc” (1928) In itself, this silent film

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Chinese and Chinese-language Films | Korean Films

US Missile Base Upsets the Morning Calm: a sketchy report on the insidious effects of US military activity on a South Korean village and farming region

Yoichi Shimatsu, “US Missile Base Upsets the Morning Calm (Lens.tv Report: THAAD Deployment in South

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Australian and New Zealand Films

Mad Dog Morgan: an enjoyable if rambling film protesting against colonialism and its values

Philippe Mora, “Mad Dog Morgan” (1976) Based on the life of an actual bushranger who

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French and French-language Films | Middle Eastern Films

The Congress: good ideas and astute criticism of Hollywood and technology undone by a confused narrative

Ari Folman, “The Congress” (2013) Partly based on Stanislaw Lem’s novel “The Futurological Congress”, in

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German and German-language Films

Oh Boy: a young man without purpose and focus comes to accept responsibility and care for the world

Jan Ole Gerster, “Oh Boy” (2012) Debut film for German director Jan Ole Gerster, “Oh

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