British Films – Page 2 – Under Southern Eyes

SPECTRE: behind a gritty and stylish front, old Bondian stereotypes return

Sam Mendes, “SPECTRE” (2015) As James Bond films go, “Spectre” looks gritty and stylishly in

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Simon Napier-Bell, “George Michael: Portrait of an Artist” (2022) For a documentary whose narrative is

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Oliver Hermanus, “Living” (2022) A gentle if sad and understated film, Oliver Hermanus’s “Living” is

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Stephen Frears, “The Lost King” (2022) A breezy and light film, “The Lost King” depends

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Ruben Östlund, “Triangle of Sadness” (2022) Just sit right back and you’ll hear a tale,

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Faye Fillingham, “The Simulation” (2021) Initially this short seems light-hearted and amusing but on repeated

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Anthony Fabian, “Mrs Harris Goes to Paris” (2022) A light and lively film harking nostalgically

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Tom George, “See How They Run” (2022) Here is a fun and light-hearted comedy mystery

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Rudolph Cartier, “The News-Benders” (1968) Entertaining yet troubling and provocative, “The News-Benders” was one of

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Daniel Vernon, “House of Maxwell (Episode 3)” (2022) Finally we reach the third and last

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