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Tag: British Films

British Films

Farming: fictional biographical drama ignores its wider social context

Adewale Akinnuoye-Agbaje, “Farming” (2018) “Farming” is a fictional biographical drama based on actor / director

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British Films | North American Films

Official Secrets: a modest fictional dramatisation of a whistleblower’s ordeal

Gavin Hood, “Official Secrets” (2019) As fictional dramatisations of real events go, “Official Secrets” passes

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British Films

O Lucky Man! – a blackly comic odyssey criticising capitalist ideology and values

Lindsay Anderson, “O Lucky Man!” (1973) A satirical allegory that exposes life in Western capitalist

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British Films

Savage Messiah: fictional biopic critical of British class system and hypocrisies

Ken Russell, “Savage Messiah” (1972) Idiosyncratic British director Ken Russell’s “Savage Messiah” is a fictional

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British Films | North American Films

Judy: a character study of a Hollywood legend destroyed by an exploitative industry manipulating people’s dreams and hopes

Rupert Goold, “Judy” (2019) Adapted from Peter Quilter’s musical stage drama “End of the Rainbow”,

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British Films | Russian and Soviet Films

The Tragedy of Russia’s Reforms: a survey of Russia under Boris Yeltsin’s leadership in the 1990s

Leo Mattei, Johnny Miller, “The Tragedy of Russia’s Reforms” (PressTV, 2017) Made for the Iranian

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British Films

Nazi Quest for the Holy Grail: a pseudo-scientific project with sinister consequences

Tom Barbor-Might, “Nazi Quest for the Holy Grail” (2013) Of the mish-mash of strange and

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British Films

Father Brown (Episode 29: The Truth in the Wine): reconciliation and forgiveness win the day

Ian Barber, “Father Brown (Episode 29: The Truth in the Wine)” (2015) Being laid up

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British Films

Red Joan: a stodgy film skirting issues about loyalty, betrayal and the nature of the British state

Trevor Nunn, “Red Joan” (2019) Adapted from the novel of the same name which as

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British Films | North American Films

Rocketman: the rise and fall and rise again of a beloved British rock / pop icon, with no reference to social and music trends

Dexter Fletcher, “Rocketman” (2019) Rather than playing as a straight biopic – a template that

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