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Tag: Chinese and Hong Kong Films

Chinese and Chinese-language Films

The World: a slow and meandering narrative reveals a rich world of hope, pain and tragedy behind superficial capitalist glamour

Jia Zhangke, “The World” (2004) In future years, this film, long and meandering though it

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Chinese and Chinese-language Films

The Goddess: a social realist film with natural and minimal acting, and a young rising star

Wu Yonggang, “The Goddess / Shen nu” (1935) A year after this film was made,

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British Films | Chinese and Chinese-language Films

Secret History (Season 14, Episode 4: The Great Wall of China – Hidden Story): taking audiences through the length and breadth of Chinese history

Ian Bremner, “Secret History (Season 14, Episode 4: The Great Wall of China – Hidden

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Chinese and Chinese-language Films

Red Sorghum: a celebration of life, its vitality and rebirth, and of the resilience and courage needed to bring back hope

Zhang Yimou, “Hong gao liang / Red Sorghum” (1987) “Red Sorghum” marks the debut of

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Chinese and Chinese-language Films | Korean Films

US Missile Base Upsets the Morning Calm: a sketchy report on the insidious effects of US military activity on a South Korean village and farming region

Yoichi Shimatsu, “US Missile Base Upsets the Morning Calm (Lens.tv Report: THAAD Deployment in South

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Chinese and Chinese-language Films

Raise the Red Lantern: criticising the abuse of power by those tasked with upholding tradition

Zhang Yimou, “Raise the Red Lantern” (1991) This is a beautiful film of minimal, even

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Chinese and Chinese-language Films

Hero: a smug film that twists Chinese history and delivers a deplorable message

Zhang Yimou, “Hero” (2002) If one needs proof that a visually gorgeous film with a

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Chinese and Chinese-language Films

2046: glossy soap opera with little profound to say about love and loneliness

Wong Kar Wai “2046” (2004) If ever a film could be considered typical “art house”

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Chinese and Chinese-language Films

Confession of Pain: glossy tale of vengeance long-planned with an implausible plot

Andrew Lau and Alan Mak, “Confession of Pain” (2006) Ain’t no bad time like Chinese

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Chinese and Chinese-language Films

The Guillotines: long-winded wuxia film groans under the weight of being all things to all people

Andrew Lau Wai-keung, “The Guillotines” (2012) An overly fussy and long-winded film on brotherhood and

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