North American Films | Russian and Soviet Films
Anora: Cinderella tale skewers class system and trash culture in neocapitalist society
Sean Baker, “Anora” (2024) Presenting as a comedy variation on the Cinderella story, “Anora” deftly
North American Films | Russian and Soviet Films
Sean Baker, “Anora” (2024) Presenting as a comedy variation on the Cinderella story, “Anora” deftly
British Films | French and French-language Films | North American Films
Coralie Fargeat, “The Substance” (2024) It may be called “The Substance” but this film’s style
French and French-language Films | Northern European Films
Gilles Legardinnier, “Complètement cramé! / Mr Blake at your service!” (2023) It’s twee and artificial
French and French-language Films
Léa Domenach, “Bernadette” (2023) Any time Catherine Deneuve takes on a film role is reason
Jang Jaehyun, “Exhuma” (2024) It starts innocently enough when a newborn boy contracts a mystery
Kristoffer Borgli, “Dream Scenario” (2023) This psychological fantasy comedy film is as oddball as they
British Films | North American Films
Yorgos Lanthimos, “Poor Things” (2023) A visually sumptuous feast, set in an alternative late Victorian
British Films | North American Films
Emerald Fennell, “Saltburn” (2023) Arriving in Sydney with little fanfare, “Saltburn” initially presents as a
French and French-language Films
François Ozon, “Mon Crime / The Crime is Mine” (2023) On the surface, “Mon Crime”
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his