Everything Everywhere All at Once: wacky science fiction exploration of the nature of nihilism and existential angst
Dan Kwan and Daniel Scheinert, “Everything Everywhere All at Once” (2022) True to its title,
Dan Kwan and Daniel Scheinert, “Everything Everywhere All at Once” (2022) True to its title,
Dr Garrett Ryan, “How a Fish Bankrupted the Roman Aristocracy” (Told In Stone, 27 November
Martin Rosen, John Hubley, “Watership Down” (1978) A vivid and beautifully presented tale, this British
British Films | North American Films
Guy Hamilton, “Live and Let Die” (1973) Cashing in on the blaxploitation film genre that
Josh Greenbaum, “Becoming Bond” (2017) Part-fictional comedy re-enactment, part-biography, this is a very affable review
Matt Bissonnette, “Death of a Ladies’ Man” (2020) Inspired by the poetry and songs of
Kenzo Masaoka, “Tora-chan no Makan Mushi” (1950) In the last cartoon to feature Tora-chan (Little
Kenzo Masaoka, “Tora-chan to Hanayome” (1948) The last three animated films made by Kenzo Masaoka
Noburu Ofuji aka Fuyo Koyamano, “Tengu Taiji” (1934) A very comical tale about a town
Hyunsuk Kim, “Pinki” (2018) Initially looking like a Korean mash-up of Neil Blomkamp’s “District 9”