British Films | North American Films
Lee Tamahori, “Die Another Day” (2002) For the twentieth movie in a film franchise celebrating
Hayao Miyazaki, “The Boy and the Heron” (2023) A decade after “The Wind Rises”, the
Jim Henson, “Labyrinth” (1986) A film very much of its time, “Labyrinth” has not aged
British Films | North American Films
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
Jordan Vogt-Roberts, “Kong: Skull Island” (2017) An example of how post-2000 Hollywood is squeezing as
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
Wolfgang Petersen, “Troy” (2004) Loosely based on Homer’s epic poem “Iliad”, this blockbuster spectacle of
Stephen Frears, “The Lost King” (2022) A breezy and light film, “The Lost King” depends
Japanese Films | North American Films
Jorge Lucas, Sumire Takamatsu, “Bakemono” (2019) Even in modern times, the demons and spirits of
Laura Moss, “Eureka!” (2019) I confess, I saw this comedy sci-fi fantasy short because Karen