The Boy and the Heron: visual virtuosity can’t compensate for a tired formulaic plot and dubious motifs
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Hayao Miyazaki, “The Boy and the Heron” (2023) A decade after “The Wind Rises”, the
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Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
Wolfgang Petersen, “Troy” (2004) Loosely based on Homer’s epic poem “Iliad”, this blockbuster spectacle of
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