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Tag: Fantasy

Japanese Films

Cat Soup: surreal meditation on life and death, time, religion and the universe

Tatsuo Sato, “Cat Soup” / “Nekojiru-so” (2003) Here is a beautifully animated surreal short film

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Russian and Soviet Films

Russian Ark: visual travelogue through art and culture meditating on identity, history and time

Alexander Sokurov, “Russian Ark” (2002) At last a film was made with just one take

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Eastern European Films

The Cathedral: search for life’s purpose and oneness with God isn’t fulfilling in this little film

Tomasz Baginski, “The Cathedral” / “Katedra” (2002) It’s a short film – less than seven minutes

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Northern European Films | Russian and Soviet Films

The Sampo: good-looking film with a moral let down by watered-down story and wooden acting

Risto Orko and Alexander Ptushko, “The Sampo” (1959) A joint Finnish-Soviet fantasy production aimed at

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Russian and Soviet Films

Ashik Kerib: flat plot and hammy acting wreck ethnographic survey / travelogue of Azerbaijani culture

Sergei Parajanov and David Abashidze, “Ashik Kerib” (1988) The last completed film by Georgian /

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Russian and Soviet Films

Viy: Gothic fairy-tale horror film of Cossacks and seminarians threatened by witches, vampires and demons

Georgiy Kropachyov and Konstantin Yershov, “Viy” (1967) A rare 1960s Soviet film in the horror

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Chinese and Chinese-language Films

Princess Iron Fan: first Asian full-length animated movie is an overstretched “short cartoon”

Wan Guchan and Wan Laiming, “Princess Iron Fan” / “Tian Shan Gong Zhu” (1941) This

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Russian and Soviet Films

The Legend of Suram Fortress: Georgian folk-tale of self-sacrifice and love of country retold in a beautiful film

Sergei Parajanov, “Ambavi Suramis Tsikhitsa” /  “The Legend of Suram Fortress” (1986) “The Legend of

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Russian and Soviet Films

The Color of Pomegranates (Sayat Nova): an idiosyncratic film that preserves the spirit and culture of Armenian people

Sergei Parajanov, “The Color of Pomegranates (Sayat Nova)” (1969) A true labour of love, this

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Australian and New Zealand Films | Eastern European Films

Penelope: film’s beauty can’t compensate for static plot and characters

Ben Ferris, “Penelopa” aka “Penelope”  (2009) Lovely to look at but beautiful, almost abstract scenes

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