Film Noir – Page 4 – Under Southern Eyes

The Thin Blue Line: a subjective film on subjectivity and a film on injustice that led to justice

Errol Morris, “The Thin Blue Line” (1988) Originally intended to be a documentary about another

0

Fabián Bielinsky, “El Aura / The Aura” (2005) While promoting this film, Fabián Bielinsky died from a

0

Roman Polanski, “Frantic” (1988) For a film proclaiming itself “Frantic”, this suspense thriller is surprisingly

0

Ray Younis, “On Meaning and Purpose: ‘Blade Runner’ Frame by Frame” (The University of Sydney

0

Seijun Suzuki, “Branded to Kill / Koroshi no Rakuin” (1967) After his previous gangster flick

0

Seijun Suzuki, “Tokyo Drifter / Tokyo nagaremono” (1966) A tale of larger-than-life characters grappling with

0

Roman Polanski, “The Ghost Writer” (2009) Circumstances surrounding this film were peculiar enough in themselves:

0

Cy Endfield, “Hell Drivers” (1957) An interesting and very much under-rated example of 1950s British

0

Andrew Lau and Alan Mak, “Confession of Pain” (2006) Ain’t no bad time like Chinese

0

Alan Crosland Jr, “The Wild, Wild West (Season 2, Episode 13: Night of the Skulls)”

0