Batman & Robin: so one-dimensional, it should be called “Flatman & Ribbon”
Joel Schumacher, “Batman & Robin” (1997) Some folks probably call this film “Flatman & Ribbon”
Tag: Hollywood Films
Men in Black: a sci-fi comedy sending up intel agencies and immigration issues
Barry Sonnenfeld, “Men in Black” (1997) Very loosely based on the original comic series of
Batman Forever: combining colourful camp and brooding darkness with duality as its theme
Joel Schumacher, “Batman Forever” (1995) After Tim Burton’s “Batman Returns” scooped millions at the box
Batman Returns: a dark Gothic Christmas fantasy turns out tired, kitschy and bombastic
Tim Burton, “Batman Returns” (1992) A Christmas movie that probably rarely enters most viewers’ lists
Contagion: a pessimistic and unforgiving study of human society in crisis
Steven Soderbergh, “Contagion” (2011) Unexpectedly discovering a new lease of life and relevance in the
British Films | North American Films
Skyfall: revisiting the past for new inspiration and direction
Sam Mendes, “Skyfall” (2012) Released in 2012, the year being the 50th anniversary of the
Latin American Films (non-Spanish / non-Portuguese) | North American Films
Quantum of Solace: badly named film offers no ounce of comfort in a trail of chases, explosions and murders
Marc Forster, “Quantum of Solace” (2008) For a film called “Quantum of Solace”, this sequel
Casino Royale: a new Bond actor, a new start and a new character development arc
Martin Campbell, “Casino Royale” (2006) A change of actor from Pierce Brosnan to Daniel Craig
Cycle of revenge continues in an amoral world of cartoon sadism and violence in “Kill Bill: Volume 2”
Quentin Tarantino, “Kill Bill: Volume 2” (2004) The revenge odyssey of The Bride, whom we
A tale of vengeance and consequences in “Kill Bill: Volume 1”
Quentin Tarantino, “Kill Bill: Volume 1” (2003) Inspired by and paying homage to grindhouse cinema