The Good Liar: a story of identity, reinvention and revenge shafted by a superficial script
Bill Condon, “The Good Liar” (2019) Getting two giants of British stage and film proved
Bill Condon, “The Good Liar” (2019) Getting two giants of British stage and film proved
Rian Johnson, “Knives Out” (2019) At times playing like a spoof of the classic whodunnit
Nicholas Wenger, “The Kid” (2018) “The Kid” is a six-minute proof-of-concept film made to demonstrate
British Films | North American Films
Gavin Hood, “Official Secrets” (2019) As fictional dramatisations of real events go, “Official Secrets” passes
Arabic-language Films | North American Films
Elan Dassani, Rajeev Dassani, “Seam” (2017) An excellent little film that could serve as a
Will Lowell, “Custom Order” (2017) Looks like I hit a dud sci-fi short for once
British Films | North American Films
Rupert Goold, “Judy” (2019) Adapted from Peter Quilter’s musical stage drama “End of the Rainbow”,
Chinese and Chinese-language Films | North American Films
Lulu Wang, “The Farewell” (2019) As a character study of an individual torn between her
Bill Tytla, “Little Audrey – Tarts and Flowers” (1950) Part of a series of cartoons
Sid Marcus, “The Mad Hatter” (1940) Mocking the faddish nature of women’s fashions, this animated