No Country for Old Men: all the right stuff and still not a great movie
Joel Cohen, “No Country for Old Men” (2007) Is it possible for a movie to have all the “right stuff” – you know, good acting performances,…
A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.
Joel Cohen, “No Country for Old Men” (2007) Is it possible for a movie to have all the “right stuff” – you know, good acting performances,…
Alex Proyas, “Dark City” (1998) An attractive film that combines elements of film noir, mystery, science fiction and (regrettably) action thriller, “Dark City” is a quest…
Stripped of the hype that has grown around it over the years, “Easy Rider” is a well-made if loose low-budget flick about two drug dealers Wyatt…
Orson Welles, “Citizen Kane” (1941) Notwithstanding its tag as America’s greatest film or the world’s greatest film – usually bestowed by American film critics, of course!…
Alfred Hitchcock, “To Catch A Thief” (1955) A clever light-hearted comedy crime caper set in southern France, this was one of Grace Kelly’s last films before…
Doug Liman, “Fair Game” (2010) Picture Source: Melinda Sue Gordon for Warner Bros Pictures, www.hollywoodchicago.com A few weeks ago (early December 2010), I went to a…
Marc Forster, “The Kite Runner” (2006) Based on a best-selling novel by Afghan writer Khaled Hosseini, this is a picturesque film of childhood friendship that for…
Alfred Hitchcock, “Rear Window” (1954) From the days when Hollywood occasionally made films that featured rich sub-text and challenged audiences to question their role as viewers comes this…
Matt Reeves, “Let Me In”, Hammer Films / Overture Films (2010) Once upon a time about 25 years ago in a small town somewhere in Reagan-era America, there was…
Roman Polanski, “Rosemary’s Baby” (1968) Who doesn’t envy young couples these days who dream of having a nice 3-bedroom house or apartment in the city close to…