Renfield: camp horror comedy suffers from co-dependency on too much CGI splatter violence
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his
William Crain, “Blacula” (1972) In 1780, a noble African Prince (William Marshall), known as Mamuwalde,
Oliver Hermanus, “Living” (2022) A gentle if sad and understated film, Oliver Hermanus’s “Living” is
French and French-language Films | North American Films
Jim Jarmusch, “Ghost Dog: The Way of the Samurai” (1999) Even after twenty years, this
German and German-language Films | North American Films
Todd Field, “Tár” (2022) It has all the ingredients to be a great film –
Wolfgang Petersen, “Troy” (2004) Loosely based on Homer’s epic poem “Iliad”, this blockbuster spectacle of
Max Pearce, “Apotheosis” (2022) A very polished short film, with similarities in themes and plot
Laura Moss, “Eureka!” (2019) I confess, I saw this comedy sci-fi fantasy short because Karen
Mark Mylod, “The Menu” (2022) A satirical commentary on Western gastronomy culture – and through
Scott Woodburn, “Rick and Ruby” (2019) Playing like an episode in a never-ending road-movie series