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Tag: Horror

North American Films

Immaculate: transformation from naif to a powerful and liberated woman through exploitation and trauma

Michael Mohan, “Immaculate” (2024) The, er, venerable niche horror subgenre known as nunsploitation is revived

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North American Films

Dream Scenario: wacky fantasy comedy satire on social media fame and post-modern cultural values

Kristoffer Borgli, “Dream Scenario” (2023) This psychological fantasy comedy film is as oddball as they

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British Films | North American Films

Poor Things: a male-centred fantasy of a child-like heroine’s sexual liberation and personal empowerment

Yorgos Lanthimos, “Poor Things” (2023) A visually sumptuous feast, set in an alternative late Victorian

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British Films | North American Films

Saltburn: black comedy thriller send-up of British elites and modern British culture

Emerald Fennell, “Saltburn” (2023) Arriving in Sydney with little fanfare, “Saltburn” initially presents as a

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Korean Films

Hanyo / The Housemaid (dir. Kim Ki-young): a delirious melodrama critical of Western culture and Confucian traditions

Kim Ki-young, “Hanyo / The Housemaid” (1960) Delirious and overwrought in its soap-opera melodrama, this

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North American Films

Bram Stoker’s Dracula: a lavish and surreal film skirting over social issues in Western society now and in the 1890s

Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis

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North American Films

Renfield: camp horror comedy suffers from co-dependency on too much CGI splatter violence

Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his

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North American Films

Infinity Pool: character study satire on the decline of Western culture and values

Brandon Cronenberg, “Infinity Pool” (2023) Take away the extreme violence, the scenes of sleazy sex

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North American Films

Blacula: cheap and campy cult classic given backbone by its monster

William Crain, “Blacula” (1972) In 1780, a noble African Prince (William Marshall), known as Mamuwalde,

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Eastern European Films | French and French-language Films | Italian and Italian-language Films

EO: a donkey’s odyssey through the kindness (or not) of strangers

Jerzy Skolimowski, “EO” (2022) Inspired by Robert Bresson’s 1966 film “Au hasard Balthazar”, this Polish

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