Kokuho: a sumptuous work weakened by a patchy plot
Lee Sang-il, “Kokuho” (2025) An ambitious and sumptuous work, paying homage to Japan’s kabuki theatre,
Reviews of Japanese-language films I find significant or interesting.
Lee Sang-il, “Kokuho” (2025) An ambitious and sumptuous work, paying homage to Japan’s kabuki theatre,
Hayao Miyazaki, “Gake no Ue no Ponyo” / “Ponyo on the Cliff by the Sea”
Hiromasa Yonebayashi, “Mary and the Witch’s Flower” (2017) A visually very attractive family movie, clearly
Hayao Miyazaki, “My Neighbour Totoro” (1988) The film that brought Studio Ghibli to an international
Hayao Miyazaki, “The Boy and the Heron” (2023) A decade after “The Wind Rises”, the
Hirokazu Kore-eda, “Broker” (2022) A young woman brings her baby to a church’s baby box
Japanese Films | North American Films
Jorge Lucas, Sumire Takamatsu, “Bakemono” (2019) Even in modern times, the demons and spirits of
Chinese and Chinese-language Films | Japanese Films
“What Eating the Rich did for Japan” (Asianometry, October 2021) In this mini-documentary on the
British Films | Japanese Films | North American Films
Lewis Gilbert, “You Only Live Twice” (1967) By the time this, the fifth film in
Japanese Films | North American Films
Andrew Levitas, “Minamata” (2020) In these times when fake news and deliberate disinformation are the