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Under Southern Eyes

A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.

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Japanese Films

Reviews of Japanese-language films I find significant or interesting.

Japanese Films

Conflagration: a competent critique of modern Japan and an unreal quest for beauty and purity

October 4, 2015October 4, 2015·4 min read

Kon Ichikawa, “Conflagration / Enjo” (1958) Based on the novel “The Temple of the Golden Pavilion” (itself based on an actual incident) by notorious Japanese writer…

Read article Conflagration: a competent critique of modern Japan and an unreal quest for beauty and purity

Japanese Films

Becoming a legend through humility and earning grace in “Samurai III: Duel at Ganryu Island”

March 30, 2015March 30, 2015·4 min read

Hiroshi Inagaki, “Samurai III: Duel at Ganryu Island” (1956) Inagaki’s third and last installment in the historical fiction drama series on the life and times of…

Read article Becoming a legend through humility and earning grace in “Samurai III: Duel at Ganryu Island”

Japanese Films

Samurai II: Duel at Ichijoji Temple – bridging two films capably with character and thematic developments

March 8, 2015March 8, 2015·3 min read

Hiroshi Inagaki, “Samurai II: Duel at Ichijoji Temple” (1955) Its predecessor in the Musashi Miyamoto trilogy might have won the Oscar for Best Foreign Language Film…

Read article Samurai II: Duel at Ichijoji Temple – bridging two films capably with character and thematic developments

Japanese Films

Samurai I: Musashi Miyamoto – the early days of a famous swordsman celebrated with ambition and energy

February 22, 2015February 22, 2015·4 min read

Hiroshi Inagaki, “Samurai I: Musashi Miyamoto” (1954) One of the most famous people in Japanese culture is the swordsman and mystic Musashi Miyamoto, author of “Gorin…

Read article Samurai I: Musashi Miyamoto – the early days of a famous swordsman celebrated with ambition and energy

Japanese Films

Mixing samurai sword action, gore and political commentary on “Lady Snowblood: Love Song of Vengeance”

October 12, 2014October 22, 2014·4 min read

Toshiya Fujita, “Lady Snowblood: Love Song of Vengeance / Shurayukihime: Urami Renga” (1974) At the end of the first eponymous film, main character Yuki (Meiko Kaji)…

Read article Mixing samurai sword action, gore and political commentary on “Lady Snowblood: Love Song of Vengeance”

Japanese Films

Lady Snowblood: questioning the pursuit of vengeance in a society undergoing rapid social and economic change

October 7, 2014October 7, 2014·5 min read

Toshiya Fujita, “Lady Snowblood / Shurayukihime” (1973) Based on a manga and the inspiration for Quentin Tarantino’s “Kill Bill” homage to old 1970s Asian martial arts…

Read article Lady Snowblood: questioning the pursuit of vengeance in a society undergoing rapid social and economic change

Japanese Films

The Wind Rises: a dishonest, cowardly film that supports current Japanese militarism

March 3, 2014March 3, 2014·7 min read

Hayao Miyazaki, “The Wind Rises / Kaze tachinu” (2013) Miyazaki’s swansong film is a fictional biography of  aeroplane designer and engineer Jiro Horikoshi, creator of the…

Read article The Wind Rises: a dishonest, cowardly film that supports current Japanese militarism

Japanese Films

Floating Weeds: a graceful work of compassion for human frailties

January 7, 2014January 7, 2014·4 min read

Yasujiro Ozu, “Floating Weeds” (1959) In the hands of a lesser director, the soap opera plot of this film would have become sensationalist drama, soon to…

Read article Floating Weeds: a graceful work of compassion for human frailties

Japanese Films

Kwaidan: a lesson in four parts about having contact with the spirit world

December 29, 2013January 22, 2014·6 min read

Masaki Kobayashi, “Kwaidan” (1964) Often billed as a horror film, “Kwaidan” is in fact a quartet of fantasy stories of which three were based on traditional…

Read article Kwaidan: a lesson in four parts about having contact with the spirit world

Japanese Films

The Eel: tale of redemption labouring under too many complex abstract themes

December 26, 2013January 22, 2014·5 min read

Shohei Imamura, “The Eel / Unagi” (1997) Japan’s boys in blue have an enviable record in obtaining a near 100% rate of criminal convictions and never…

Read article The Eel: tale of redemption labouring under too many complex abstract themes

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