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Tag: Lars von Trier

Northern European Films

Breaking the Waves: a study of religious hypocrisy and oppression, and its effects on a naive woman, with a hollow heart

Lars von Trier, “Breaking the Waves” (1996) For the most part this often nihilistic film

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North American Films | Northern European Films

Manderlay: a not entirely satisfactory study of slavery in American society

Lars von Trier, “Manderlay” (2005) The sequel to “Dogville” is an interesting philosophical if rather

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North American Films

Dogville: failing to understand complexities and contradictions of American people, culture and history

Lars von Trier, “Dogville” (2003) First in a series of films on American culture from

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North American Films | Northern European Films

Dancer in the Dark: a manipulative film with a conservative and disheartening message

Lars von Trier, “Dancer in the Dark” (2000) Lars von Trier’s one attempt at making

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Northern European Films

Melancholia: meditation on depression and cosmic indifference to humanity waylaid by emphasis on shallow characters

Lars von Trier, “Melancholia” (2011) Fed up with the deadbeat rate of intellectual and cultural

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Northern European Films

Antichrist: inquiry into misogyny and battle between rationality and Nature

Lars von Trier, “Antichrist” (2009) Highly controversial for its depiction of sexual violence and mutilation,

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Northern European Films

Medea (dir. Lars von Trier): human struggle against forces of Nature and God in a beautiful and emotional film

Lars von Trier, “Medea” (1988) Originally made for TV and with a script based on that other

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