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Tag: Psychedelia

North American Films

Batman: The Movie – a cult bad-movie masterpiece with a daring and subversive edge

Leslie H Martinson, “Batman: The Movie” (1966) In an age when comic book superheroes were

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French and French-language Films

Sans Soleil: a pretentious and confusing film that plays a stupid joke on its audience at its end

Chris Marker, “Sans Soleil” (1983) Picture yourself receiving a letter from a long-time friend who

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British Films

The Cook, the Thief, his Wife and her Lover: a parable on the decline and fall of neoliberal British society and culture

Peter Greenaway, “The Cook, the Thief, his Wife and her Lover” (1989) Straight away viewers

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North American Films

My Winnipeg: an intriguing blend of memoir, documentary and surreal dark fantasy in a paean to a little city on the prairie

Guy Maddin, “My Winnipeg” (2007) An unusual blend of memoir, documentary and dark fantasy, Guy

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Italian and Italian-language Films

Allegro Non Troppo: a suite of animation shorts of breath-taking imagination and originality, and much food for thought

Bruno Bozzetto, “Allegro Non Troppo” (1976) A spoof of and tribute to Walt Disney’s famous

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British Films | North American Films

The Man Who Fell to Earth: a satire on US cut-throat capitalist society and how it alienates, controls and dehumanises people

Nicholas Roeg, “The Man Who Fell to Earth” (1976) For a film with hardly much

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North American Films

The Man We Want to Hang: a subjective if not very experimental homage to Aleister Crowley

Kenneth Anger, “The Man We Want to Hang” (2002) After over 20 years in which

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Korean Films

Oldboy: arthouse film trappings cannot disguise a flimsy plot, flat characters and an empty message

Chanwook Park, “Oldboy” (2003) When I saw this film the first time over a decade

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Japanese Films

A Tattooed Life: underrated yakuza character study expressing anti-nationalist nihilism

Seijun Suzuki, “A Tattooed Life / Irezumi Ichidai” (1965) A surprisingly touching and quite emotional

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Japanese Films

Tokyo Drifter: surreal pop-art gangster flick riffing on corporate loyalty and surviving in a corrupt world

Seijun Suzuki, “Tokyo Drifter / Tokyo nagaremono” (1966) A tale of larger-than-life characters grappling with

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