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Tag: Revenge Films

British Films

The Cook, the Thief, his Wife and her Lover: a parable on the decline and fall of neoliberal British society and culture

Peter Greenaway, “The Cook, the Thief, his Wife and her Lover” (1989) Straight away viewers

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Northern European Films

Festen: a rich film skewering Danish society and social hypocrisy, and delivering redemption

Thomas Vinterberg, “Festen” (1998) “Festen” remains the best-known and most mainstream of the various films

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Japanese Films

Dead Sushi: wacky comedy horror film takes pot-shots at corporate culture and greed, and food obsessions

Noboru Iguchi, “Dead Sushi” (2012) In the tradition of wacky Japanese comedy horror flicks comes

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German and German-language Films

The American Friend: an investigation into the nature of individual and collective identity

Wim Wenders, “Der Amerikanische Freund / The American Friend” (1977) Based on the novel “Ripley’s

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North American Films

Sweeney Todd: The Demon Barber of Fleet Street – Hollywood Goth drama undone by misanthropy and poor source material

Tim Burton, “Sweeney Todd: The Demon Barber of Fleet Street” (2007) US film director Tim

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Korean Films

Pieta (dir. Kim Kiduk): a cruel and absurd grotesquery mocking the poor and the marginalised

Kim Kiduk, “Pieta” (2012) This tale of dark revenge centres around a class of people

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Northern European Films

The Virgin Spring: a profound and moving work on vengeance, justice and the remoteness of religion

Ingmar Bergman, “The Virgin Spring / Jungfrukällan” (1960) Perhaps not so celebrated as “The Seventh

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Japanese Films

Mixing samurai sword action, gore and political commentary on “Lady Snowblood: Love Song of Vengeance”

Toshiya Fujita, “Lady Snowblood: Love Song of Vengeance / Shurayukihime: Urami Renga” (1974) At the

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Japanese Films

Lady Snowblood: questioning the pursuit of vengeance in a society undergoing rapid social and economic change

Toshiya Fujita, “Lady Snowblood / Shurayukihime” (1973) Based on a manga and the inspiration for

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Korean Films

Oldboy: arthouse film trappings cannot disguise a flimsy plot, flat characters and an empty message

Chanwook Park, “Oldboy” (2003) When I saw this film the first time over a decade

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