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Tag: Russian and Soviet Films

Northern European Films | Russian and Soviet Films

Nael / The Nail (dir. Heino Pars): inventive stop-motion animation short about human nature and revenge

Heino Pars, “Nael / The Nail” (1972) Droll little animation short “Nael” consists of four stories that

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Northern European Films

Linn (City): a well-meaning if dated moral tale about industrialisation

Reino Raamat, “Linn / City” (1988) Earnest and well-meaning, Raamat”s “Linn” is a moral tale

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Northern European Films

Aeg Maha (Time Out): Soviet Estonian animation at its most surreal

Priit Pärn and Hille Kusk, “Aeg Maha / Time Out” (1984) “Aeg Maha” is animator

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Northern European Films

Nõiutud saar (The Enchanted Island): a sweet and charming film with a moral about unity in diversity

Riho Unt and Hardi Volmer, “Nõiutud Saar (The Enchanted Island)” (1985) Another gem from Tallinnfilm

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Russian and Soviet Films

The World Tomorrow (Episode 11: Anwar Ibrahim): a fine conclusion to a generally good interview series

Julian Assange, “The World Tomorrow (Episode 11: Anwar Ibrahim)” (Russia Today, 3 July 2012) In

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Northern European Films | Russian and Soviet Films

Jänes (The Hare): trippy bionic bunny tale reconciles science and nature

Ando Keskküla, “Jänes (The Hare)” (1976) One of the trippiest animation films I have seen

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Northern European Films

Kolmnurk (The Triangle): delightfully surreal film about a husband, his wife and her midget lover

Priit Pärn, “Kolmnurk (The Triangle)” (1982) Yet another delightful animation short from this Estonian animator

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Northern European Films

Suur Tõll: colourful, almost psychedelic animation about a mythical Estonian hero

Rein Raamat and Kulno Luht, “Suur Tõll”(1980) In Estonian mythology Suur Tõll is a giant

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Northern European Films

Põrgu (Hell): good versus evil in homage to a 20th century Estonian surrealist artist

Rein Raamat, “Põrgu (Hell)” (1983) While watching “Wax or the Discovery of Television among the

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Russian and Soviet Films

Elena: character-driven drama labours under issues of class, gender, alienation and spiritual emptiness

Andrey Zviagintsev, “Elena” (2011) A stylistically beautiful yet minimal film about class, alienation and the

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