A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.
Douglas Camfield, “Doctor Who: The Invasion” (1968) This eight-part serial featuring Patrick Troughton as the second incarnation of the beloved British sci-fi hero Doctor Who is…
French and French-language Films
Olivier Assayas, “The Wizard of the Kremlin” (2025) Based on the novel of the same name by Giuliano da Empoli, published in 2022, “The Wizard of…
German and German-language Films, Italian and Italian-language Films
Michele Mally, “Taboo – Egon Schiele” (2026) In this lively documentary on the life of early 20th-century Austrian artist Egon Schiele (1890 – 1918), Italian director…
Chinese and Chinese-language Films, Southeast Asian Films
Lan Hongchun, “Dear You” (2026) Made on a budget equivalent to US$2.06 million or nearly $3 million in Australian currency, with little marketing and promotion, and…
Daniel Roher, “Tuner” (2015) The notion that a piano tuner and a safe-cracking expert can share similar attributes – an incredibly sharp sense of hearing, tactile…
Kane Parsons “Backrooms” (2026) Originally an Internet phenomenon that appeared on the imageboard website 4chan in 2019, and then branching into videogames and Youtube channels of…
French and French-language Films
Thierry Klifa, “The Richest Woman in the World” (2025) This film by Thierry Klifa is loosely based on the so-called Bettencourt Affair that held France in…
French and French-language Films
Rebecca Zlotowski, “Vie Privée” (“A Private Life”) (2026) Billed as a crime / mystery thriller, this film is best seen as a psychological character study revolving…
Italian and Italian-language Films
Simona Risi, “Hitler’s Big Fear – The Trial of Degenerate Art” (2026) Centred on a major exhibition of 20th-century German art held by the Musée National…
French and French-language Films
François Ozon, “L’Étranger” (2025) The third film adaptation of Albert Camus’s famous novel, and the first made in France – previous adaptations having been made in…