Man with a Movie Camera: experimental film documentary with the camera as central character
Dziga Vertov, “Man with a Movie Camera” / “Chelovek s Kino-apparatom” / “Liudyna z Kinoaparatom” (1929) No plot, no obvious characters or a point of view…
A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.
Dziga Vertov, “Man with a Movie Camera” / “Chelovek s Kino-apparatom” / “Liudyna z Kinoaparatom” (1929) No plot, no obvious characters or a point of view…
Tomasz Baginski, “The Cathedral” / “Katedra” (2002) It’s a short film – less than seven minutes – created entirely with 3D computer animation but Baginski’s “The Cathedral”…
Konstantin Lopushansky, “Dead Man’s Letters” / “Pisma myortvogo cheloveka” (1986) Depressive in tone but with a hopeful optimism at its end, this film explores how human…
Vasily Zhuravlov, “The Space Voyage” / “Kosmicheskiy reys: Fantasticheskaya Novella” (1936) In the 1930s, the youth branch of the Communist Party of the Soviet Union, usually…
Alexander Dovzhenko, “Aerograd” (1935) It’s a well-made film with stunning shots of wilderness and planes flying in the sky but where would a Dovzhenko film be without…
Australian and New Zealand Films
Lee Tamahori, “Once Were Warriors” (1994) An intense film from New Zealand of a family in an impoverished and degraded social environment dominated by alcohol, a…
Ari Folman, “Waltz with Bashir” (2008) Few movies about war must be as personal and intense as this animated film about an Israeli ex-soldier’s gradual acknowledgement of the…
Chuyen Bui Thac, “Living in Fear” / “Song trong so hai” (2005) It’s mid-1975, the war has ended and the Americans have gone, and the North…
Mikhail Karyukhov and Alexander Kozyr, “The Sky Calls” / “Nebo Zovyot” (1959) A visually stunning film about space exploration, “The Sky Calls” was the first in…
Northern European Films, Russian and Soviet Films
Risto Orko and Alexander Ptushko, “The Sampo” (1959) A joint Finnish-Soviet fantasy production aimed at a family audience, “The Sampo” is a very loose retelling of…