Round-up of Films seen in 2019
Dear USE readers and visitors, Where did 2019 go to? The year just seems to have whooshed by and already I am writing another round-up review…
A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.
Dear USE readers and visitors, Where did 2019 go to? The year just seems to have whooshed by and already I am writing another round-up review…
Ryan Turner, “A Date in 2025” (2017) Goofy teenage romantic comedy about a socially awkward and self-conscious young man meets insidious panopticon nanny-state, courtesy of artificial…
Aly Migliori, “After Her” (2018) A young man, Callum (Christopher Dylan White), goes in search of a young woman, Hayley (Natalia Dyer), five years after she…
Michael Mathews, “Apocalypse Now Now” (2017) Made as a proof-of-concept film on which a television series or a feature film will be based, “Apocalypse Now Now”…
British Films, North American Films
Daniel Prince, “Invaders” (2018) Playing as a homage and parody of the 1980s film “Batteries Not Included” in which a bunch of tiny extraterrestrial cyborg spaceships…
Ken Loach, “Sorry We Missed You” (2019) He may be well into his 80s but Ken Loach continues to make social realist film dramas that document…
Ryan Patch, “Regulation” (2019) Set in the not-too distant future, in perhaps a post-industrial / hyper-cybernetic age, this short film character study is an intimate and…
Bill Condon, “The Good Liar” (2019) Getting two giants of British stage and film proved to be the least of director Bill Condon’s problems; the biggest…
Arabic-language Films, Middle Eastern Films
Pavel Serezhkin, “Profiles in Courage: ENN Middle East reporter Gertrude Bellinger” (2019) Written and produced by The Grayzone journalist Rania Khalek who plays ENN Middle East…
Rian Johnson, “Knives Out” (2019) At times playing like a spoof of the classic whodunnit murder mystery that takes place in a palatial mansion and the…