Becoming a legend through humility and earning grace in “Samurai III: Duel at Ganryu Island”
Hiroshi Inagaki, “Samurai III: Duel at Ganryu Island” (1956) Inagaki’s third and last installment in
Hiroshi Inagaki, “Samurai III: Duel at Ganryu Island” (1956) Inagaki’s third and last installment in
German and German-language Films | North American Films
Maria Pia Mascaro, “Hollywood and The Pentagon: A Dangerous Liaison / Marschbefehl für Hollywood” (2003)
North American Films | South African Films
Neil Blomkamp, “Chappie” (2015) In amongst the ruined buildings, the body count, the junk metal
Kenneth Anger, “Invocation of My Demon Brother” (1969) If like me, you’ve already seen a
Hiroshi Inagaki, “Samurai II: Duel at Ichijoji Temple” (1955) Its predecessor in the Musashi Miyamoto
Laura Poitras, “Citizenfour” (2014) As both fly-on-the-wall real-time documentary and historical thriller, “Citizenfour” is a
BBC News Interview with President Bashar al Assad (9 February 2015) For an example of
Hiroshi Inagaki, “Samurai I: Musashi Miyamoto” (1954) One of the most famous people in Japanese
John David Ebert, “Mythologies of the Evolution of Consciousness: Oswald Spengler” (Astrological Institute in Scottsdale,
Kenneth Anger, “The Man We Want to Hang” (2002) After over 20 years in which