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Under Southern Eyes

Category: Indian Subcontinent Films

Reviews of films from India, Nepal, Bangladesh, Pakistan and Sri Lanka.

Indian Subcontinent Films

The harm caused to women and girls by queer theory and gender identity politics in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 4: For a Gender Critical Future)”

Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 4: For a Gender

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Indian Subcontinent Films

Hostility to detransitioning and what it says about the desire to control nature in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 3: Trans Regret)”

Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 3: Trans Regret)” (2020)

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Indian Subcontinent Films

The medical profession and its practices under fire in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 2: Medicalisation)”

Vaishnavi Sundar, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 2: Medicalisation)” (2020) In

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Indian Subcontinent Films

Misogyny, female adolescence and gender identity ideology collide in “Dysphoric: Fleeing Womanhood like a House on Fire (Part 1: Being a Woman in a Woman-Hating World)”

Vaishnavi Sundari, “Dysphoric: Fleeing Womanhood like a House on Fire (Part 1: Being a Woman

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Indian Subcontinent Films

A Day in the Life of an Untouchable Sweeper: a snapshot of discrimination against Dalit people in India

Amudhan R P, “A Day in the Life of an Untouchable Sweeper” (2003) Known as

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Indian Subcontinent Films

Vikaari: how war and instability might breed a new species of predatory, psychopathic human

Sandun Seneviratne, Charlie Bray, “Vikaari” (2020) Cunningly disguised as a TV current affairs article /

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Indian Subcontinent Films

Awakenings: a spooky Gothic retelling of the classic Henry James story

Bhargav Saikia, “Awakenings” (2015) Inspired by and closely based on Henry James’ famous novella “The

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Indian Subcontinent Films | Northern European Films

Victim of the World Wildlife Fund: racial cleansing and genocide masquerading as nature conservation

Jos van Dongen, “Victim of the World Wildlife Fund” (Zembla, 2019) Now this is the

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