An exceedingly demeaning portrait of a significant feminist / anarchist figure in “Emma Goldman – An exceedingly dangerous woman”
Mel Bucklin, “Emma Goldman – An Exceedingly Dangerous Woman” (2003) This portrait of Emma Goldman,
Mel Bucklin, “Emma Goldman – An Exceedingly Dangerous Woman” (2003) This portrait of Emma Goldman,
Carl Urbano, “A is for Atom” (1952) Created and produced by John Sutherland and sponsored
Australian and New Zealand Films | Multi-media Presentations
Ms&Mr, “Xerox Missive 1977 / 2011”, multi-channel video installation (2011) Technically not a film but a
Hiromasa Yonebayashi, “Arrietty / Karu-gurashi no Arrietti” (2010) A charming offering from Studio Ghibli, based
Shane Carruth, “Primer” (2004) A low-budget film (it cost about US$7,000 to make) about four
Guy Maddin, “Fancy, Fancy Being Rich” (2002), “My Dad is 100 Years Old” (2005), “Spanky:
French and French-language Films
Jean Cocteau, “Orpheus / Orphée” (1950) Intriguing re-telling of the famous ancient Greek legend set
Torstein Grude, “Satan Rides the Media” / “Satan rir media” (1998) Focussing on the sensational
Lesley Manning, “Ghostwatch” (1992) Subject of a post on Adam Curtis’s BBC blog, this BBC
Sut Jhally and Bathsheba Ratzkoff, “Peace, Propaganda and the Promised Land” (2003) This is a