Niloofar: moving story examines ideals of honour, tradition and predestination
Sabine el Gemayel, “Niloofar” (2008) That familiar maxim “Less is more” applies as much to
The Draughtman’s Contract: perhaps too multi-layered but enjoyable all the same
Peter Greenaway, “The Draughtsman’s Contract” (1982) British director Peter Greenaway’s first full-length feature film
The Shooting Party: stodgy, genteel film detailing decay of British nobility
Alan Bridges, “The Shooting Party” (1985) Mainly notable for being the last movie to feature James Mason
Orlando: lavish and lovely lightweight film with nothing to say
Sally Potter, “Orlando” (1992) Based on British writer Virginia Woolfe’s novel “Orlando: a Biography”, this
The Dark Knight: a shallow movie with one-note characters beneath the pyrotechnics
Christopher Nolan, “The Dark Knight” (2008) Second in British-American director Christopher Nolan’s Batman trilogy that
Metropia: dystopian science fiction animated film offers little that’s fresh
Tarik Saleh, “Metropia” (2009) Set in a future post-apocalyptic Europe in 2024, where all underground
French and French-language Films
Persepolis: coming-of-age film could be more honest about life under police state regime
Vincent Paronnaud and Marjane Satrapi, “Persepolis” (2007) Adapted from the graphic novel, originally published in
Chinatown: film noir addresses serious issues of political and moral corruption
Roman Polanski, “Chinatown” (1974) Chinatown” was Roman Polanski’s foray into the private eye / film
Shinobi – Heart under Blade: film could have been cut above other live-action films based on manga / anime
Ten Shimoyama, “Shinobi – Heart under Blade” (2005) Based on a novel “The Kouga Ninja
No Country for Old Men: all the right stuff and still not a great movie
Joel Cohen, “No Country for Old Men” (2007) Is it possible for a movie to