Ukraine and the Gell Mann Effect: the tragedy of delusion, bias, false assumptions and error-filled reporting
Gonzalo Lira, “Ukraine and the Gell Mann Effect” (13 May 2022) In this video, Chilean-American
Gonzalo Lira, “Ukraine and the Gell Mann Effect” (13 May 2022) In this video, Chilean-American
Gonzalo Lira, “Australia is The Next Ukraine” (10 May 2022) In this video, Chilean-American vlogger
Gonzalo Lira, “Poland Will Take a Bite out of Ukraine” (8 May 2022) One little-known
Carlton Meyer, “King Woodrow’s Wilsonian Armenia” (Tales of the American Empire, 29 April 2022) Among
Jason Sheedy, “Checkpoint” (2021) Here comes a 10-minute number that initially looks like a virtual
Latin American Films (Spanish language) | North American Films
Fernando Campos and Jaime Jasso, “El Camino” (2020) A well made and visually gorgeous film,
Matt Westrup, “The Gate” (2011) Deriving its title from a couple of lines in the
Essays | Multi-media Presentations
Gonzalo Lira, “A Recap of the War in Ukraine” (Twitter, 26 April 2022) For those
Garrett Ryan, “Dinosaurs, Mammoths, and the Greek Myths” (Toldinstone, 21 August 2021) Part of a
Dan Kwan and Daniel Scheinert, “Everything Everywhere All at Once” (2022) True to its title,