Custom Order: a thin plot and equally thin characters in a story on commodifying identity
Will Lowell, “Custom Order” (2017) Looks like I hit a dud sci-fi short for once
Will Lowell, “Custom Order” (2017) Looks like I hit a dud sci-fi short for once
Australian and New Zealand Films
Catherine Bonny, “Colony” (2018) Partly informed by the history of early European settlement in Australia,
Andre LeBlanc, “They Watch” (2016) In the near future, a mother and her teenage son
French and French-language Films
Jules Bourges, Jocelyn Charles, Nathan Harbonn Viaud, Pierre Rougemont,”Déjeuner sur l’herbe” (2019) A droll character
Lindsay Anderson, “O Lucky Man!” (1973) A satirical allegory that exposes life in Western capitalist
Nicholas Camp, Don Thiel III, “Orbit” (2019) A clever re-telling of the classic Edgar Allan
Andrew Hunt, “Clean Cut” (2015) From DUST, an online channel specialising in screening science fiction
French and French-language Films
Valerie Bousquie, Josephine Meis, Antoine Vignon, Benjamin Warnitz, “Protocole Sandwich” (2019) This very likeable and
Ken Russell, “Savage Messiah” (1972) Idiosyncratic British director Ken Russell’s “Savage Messiah” is a fictional
French and French-language Films
Mohammad Babakoohi, Jakob Bednarz, Benjamin Berrebi, Diego Cristofano, Théo Noble, Karlo Pavicic-Ravlic, Marthinus van Rooyen,