Sorry We Missed You: a social realist docudrama that feels not a little exploitative itself
Ken Loach, “Sorry We Missed You” (2019) He may be well into his 80s but
Ken Loach, “Sorry We Missed You” (2019) He may be well into his 80s but
Ryan Patch, “Regulation” (2019) Set in the not-too distant future, in perhaps a post-industrial /
Bill Condon, “The Good Liar” (2019) Getting two giants of British stage and film proved
Arabic-language Films | Middle Eastern Films
Pavel Serezhkin, “Profiles in Courage: ENN Middle East reporter Gertrude Bellinger” (2019) Written and produced
Rian Johnson, “Knives Out” (2019) At times playing like a spoof of the classic whodunnit
Patrick Kalyn, “Hybrids” (2013) This sci-fi live action short seems to have been made as
Pedro Almodovar, “Pain and Glory” (2019) A film investigating how creation can be inspired by
Adewale Akinnuoye-Agbaje, “Farming” (2018) “Farming” is a fictional biographical drama based on actor / director
Nicholas Wenger, “The Kid” (2018) “The Kid” is a six-minute proof-of-concept film made to demonstrate
British Films | North American Films
Gavin Hood, “Official Secrets” (2019) As fictional dramatisations of real events go, “Official Secrets” passes