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French and French-language Films

Les lèvres gercées: a tiny kitchen sink drama reveals a dysfunctional family

Fabien Corre, Kelsi Phung, “Les lèvres gercées” (2018) In just five minutes, within the setting

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French and French-language Films

Mehua: criticising the dogma and empty rituals of religion

Camille Aigloz, Simon Anding Malandin, Michiru Baudet, Margo Roquelaure, Diane Tran Duc, Lucy Vallin, “Mehua”

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French and French-language Films

Parfum Fraise: a short and terse film on the impossibility of escaping violence

Alix Arrault, Martin Hermane, Samuel Klughertz, Jules Rigolle, “Parfum Fraise” (2017) You can renounce a

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French and French-language Films

J’attends la nuit: a little masterpiece full of ambiguity and stunning animation

Arthur Chaumay, “J’attends la nuit” (2018) A delightfully ambiguous and dark short, with stunning animation

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French and French-language Films

Quand j’ai remplace Camille: a distinctive animated short with a bold style and straightforward plot

Nathan Otano, Remy Clarke, Leila Courtillon, “Quand j’ai remplace Camille” (2017) A deftly made short

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French and French-language Films

Caldeira: a short film of inner and outer volcanic turmoil

Julie Bousquet, Estelle Hocquet, Catherine Manesse, “Caldeira” (2018) A short animated study of sibling rivalry

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Chinese and Chinese-language Films | North American Films

The Farewell: thin plot, poor characterisation should have farewelled this film

Lulu Wang, “The Farewell” (2019) As a character study of an individual torn between her

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Chinese and Chinese-language Films

Ne Zha: noisy overblown blockbuster film with a message about changing one’s destiny

Jiaozi, “Ne Zha” (2019) A loud, noisy and overblown blockbuster animation fantasy made to please

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Korean Films

Shadow Thief: a critique of social and cultural pressure on individuals to conform to other standards

Kim Heeyae, “Shadow Thief” (2018) Done entirely in black and white and shades of grey

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North American Films

Perfectly Natural: science fiction horror film about demonic possession of the for-profit corporate kind

Victor Alonso-Berbel, “Perfectly Natural” (2018) No aliens, monsters, paranormal events or denizens of Hell or

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