Parasite: tale of two families is a stinging attack on capitalism and social hierarchy
Bong Joonho, “Parasite / Gisaengchung” (2019) A stinging attack on capitalism in South Korean society
Bong Joonho, “Parasite / Gisaengchung” (2019) A stinging attack on capitalism in South Korean society
French and French-language Films
Julie Bertuccelli, “Claire Darling / La derniere folie de Claire Darling” (2018) On the first
Trevor Nunn, “Red Joan” (2019) Adapted from the novel of the same name which as
Lee Camp “Leaked Court Docs Upending Brazil!” (Redacted Tonight, June 2019) Along with his weekly “Redacted
Indian Subcontinent Films | Northern European Films
Jos van Dongen, “Victim of the World Wildlife Fund” (Zembla, 2019) Now this is the
German and German-language Films
Niels Bolbringer and Thomas Tielsch, “Bauhaus Spirit: 100 Years of Bauhaus” (2018) Celebrating the 100th
Latin American Films (Spanish language)
Marcelo Martinessi, “The Heiresses / Las Herederas” (2018) A slow-burning, low-key character study that, among
British Films | North American Films
Dexter Fletcher, “Rocketman” (2019) Rather than playing as a straight biopic – a template that
Park Jeong-woo and Park Hee-joo, “The Untold Story – ‘Korean Empire’ ” (Arirang TV, 2013)
Caolan Robertson and George Llewellyn-John, “Borderless” (2019) Lauren Southern is a political activist and independent