British Films | North American Films
Tenet: beneath the gloss and sci-fi gibberish, a banal plot with flat characters appears
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
British Films | North American Films
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
Kim Ki-young, “Hanyo / The Housemaid” (1960) Delirious and overwrought in its soap-opera melodrama, this
Christopher Nolan, “Oppenheimer” (2023) Aside from all the Hollywood fanfare fluff surrounding its release, Christopher
Jordan Vogt-Roberts, “Kong: Skull Island” (2017) An example of how post-2000 Hollywood is squeezing as
Australian and New Zealand Films
Henri Safran, “Storm Boy” (1976) A moody and melancholy film, ostensibly about a lonely boy
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
Desiree Akhavan, “The Miseducation of Cameron Post” (2018) Set in 1993, this coming-of-age drama follows
French and French-language Films
Mia Hansen-Løve, “Un Beau Matin” / “One Fine Morning” (2022) One fine morning in Paris
British Films | North American Films
Sam Mendes, “SPECTRE” (2015) As James Bond films go, “Spectre” looks gritty and stylishly in
French and French-language Films
Alice Diop, “Saint Omer” (2022) At first presenting as a dry courtroom drama cum psychological