Pieta (dir. Kim Kiduk): a cruel and absurd grotesquery mocking the poor and the marginalised
Kim Kiduk, “Pieta” (2012) This tale of dark revenge centres around a class of people
Kim Kiduk, “Pieta” (2012) This tale of dark revenge centres around a class of people
James Vanderbilt, “Truth” (2015) An ambitious film for James Vanderbilt’s directorial debut, though he is
Charles Chaplin, “The Great Dictator” (1940) It’s over-long and the slapstick comedy is laid on
“Let Your Life Be A Friction To Stop The Machine” (Class War Films, 2012) It’s
Italian and Italian-language Films
Pier Paolo Pasolini, “The Gospel According to St Matthew / Il Vangelo Secondo Matteo” (1964)
Volker Schlöndorff, “The Handmaid’s Tale” (1990) Based on the dystopian novel by Canadian writer Margaret
Alexander Korobko, “Through Sherlock’s Eyes: The Case of Alexander Litvinenko” (2015) Not only does this 23-minute
Masato Harada, “Kakekomi Onna to Kakedashi Otoko” (2015) A light-hearted historical drama set in Japan
Takashi Koizumi, “A Samurai Chronicle” (2014) I’m afraid that these days the Japanese just don’t
Stanley Kubrick, “Fear and Desire” (1953) Stanley Kubrick’s debut feature film may be an awkward