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North American Films

Sweeney Todd: The Demon Barber of Fleet Street – Hollywood Goth drama undone by misanthropy and poor source material

Tim Burton, “Sweeney Todd: The Demon Barber of Fleet Street” (2007) US film director Tim

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North American Films

Spotlight: a rare quality Hollywood film that celebrates good investigative journalism and examines the nature of evil and its spread

Tom McCarthy, “Spotlight” (2015) On rare occasions Hollywood can still demonstrate an ability to make

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Australian and New Zealand Films

Charlie’s Country: a portrait of a man and his community in search of belonging and identity

Rolf de Heer, “Charlie’s Country” (2013) A sad and compassionate film of a man’s search

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North American Films

The Big Short: a crash course into the causes and toxic culture of the 2008 Global Financial Crisis

Adam McKay, “The Big Short” (2015) How do you tell the story behind the sub-prime

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Annual Reviews of Films Seen

Review of Films I’ve seen in 2015

Review of Films I’ve seen in 2015 Dear Under Southern Eyes Readers, Another year, another

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North American Films

The Gold Rush: a fun and clever film of comedy, drama, romance, horror and thriller elements

Charles Chaplin, “The Gold Rush” (1925, revised 1942) In reality, the 1898 Klondike Gold Rush

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British Films

Suffragette: catering to narrow interests of identity politics over the real interests of people it claims to defend

Sarah Gavron, “Suffragette” (2015) Of the recent plethora of British historical drama movies, Gavron’s film

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Korean Films

Pieta (dir. Kim Kiduk): a cruel and absurd grotesquery mocking the poor and the marginalised

Kim Kiduk, “Pieta” (2012) This tale of dark revenge centres around a class of people

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North American Films

Truth: fictional drama has some value in showing how censorship works and propaganda is created

James Vanderbilt, “Truth” (2015) An ambitious film for James Vanderbilt’s directorial debut, though he is

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North American Films

The Great Dictator: using comedy and drama, silent film and talking picture to confront fascism

Charles Chaplin, “The Great Dictator” (1940) It’s over-long and the slapstick comedy is laid on

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