Italian and Italian-language Films
The Leopard: a character study thin on political expediency and cynicism, and thick on glamour
Luchino Visconti, “Il Gattopardo / The Leopard” (1963) A sumptuous film even by the glamorous
Italian and Italian-language Films
Luchino Visconti, “Il Gattopardo / The Leopard” (1963) A sumptuous film even by the glamorous
German and German-language Films
Rainer Werner Fassbinder, “Der Amerikanische Soldat / The American Soldier” (1970) A loosely stitched pastiche
German and German-language Films
Rainer Werner Fassbinder, “Götter der Pest / Gods of the Plague” (1970) Following on from
“Coffee and Papers with The Sydney Morning Herald, Jeremy Scahill and Antony Loewenstein,” Sydney Writers
John Frankenheimer, “The Manchurian Candidate” (1962) At some point during the Korean War in 1952,
German and German-language Films
Rainer Werner Fassbinder, “Liebe ist kälter als der Tod / Love is Colder than Death”
David Ritter and Will Potter, “Ag-Gag Laws: The Bid to Silence Animal Advocates”, Voiceless 2014
Northern European Films | Russian and Soviet Films
Alexander Gaponenko, “Aliens” (2014) In August 1991, the Soviet Union broke up after a failed
Errol Morris, “The Thin Blue Line” (1988) Originally intended to be a documentary about another
North American Films | Northern European Films
Lars von Trier, “Manderlay” (2005) The sequel to “Dogville” is an interesting philosophical if rather