Australian and New Zealand Films
Bastardy: sympathetic portrait of homeless actor highlighting resilience, generosity and being an outsider
Amiel Courtin-Wilson, “Bastardy” (2010) Several years in the making due to its subject’s predilection for
Australian and New Zealand Films
Amiel Courtin-Wilson, “Bastardy” (2010) Several years in the making due to its subject’s predilection for
Andrey Karaulov, “Fascism As It Is” (2014) Looking hastily made, this documentary is a snapshot
Chanwook Park, “Oldboy” (2003) When I saw this film the first time over a decade
Australian and New Zealand Films
Peter Weir, “The Cars that Ate Paris” (1974) Acclaimed Australian director Peter Weir’s directorial full-length
Korean Films | North American Films
Joon-ho Bong, “Snowpiercer / Seolgugyeolcha” (2013) Joon-ho Bong’s first outing in the English language is
German and German-language Films
Rainer Werner Fassbinder, “Lili Marleen” (1981) An unhappy tale of thwarted love, Fassbinder’s “Lili Marleen”
Mark Devries, “Speciesism: the Movie” (2013) As home movies go, few possibly extend very far
French and French-language Films | West African Films
Abderrahmane Sissako, “Timbuktu” (2014) Set in northern Mali some time after the downfall of Colonel
Italian and Italian-language Films
Luchino Visconti, “Il Gattopardo / The Leopard” (1963) A sumptuous film even by the glamorous
German and German-language Films
Rainer Werner Fassbinder, “Der Amerikanische Soldat / The American Soldier” (1970) A loosely stitched pastiche