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Tag: British Films

British Films

The Way of All Flesh: a broad introduction to an unlikely heroine in the history of medical research

Adam Curtis, “The Way of All Flesh” (1997) As told in this fascinating documentary, the

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British Films

The Living Dead (Episode 2: You have used Me as a Fish long enough): informative enough for a general audience

Adam Curtis “The Living Dead (Episode 2: You have used Me as a Fish long enough)”

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British Films

All Watched Over by Machines of Loving Grace (Episode 1: Love and Power): film cherry-picks facts to fit its premise

Adam Curtis, “All Watched Over by Machines of Loving Grace (Episode 1: Love and Power)”

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British Films | French and French-language Films | North American Films

Cave of Forgotten Dreams: too much whimsy and overbearing music, not enough facts and editing mar a fine documentary

Werner Herzog, “Cave of Forgotten Dreams” (2010) In 1994, three speleologists discovered and explored a

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British Films

Rubber Johnny: small dense film in which a universe of transformation and realised ambitions is contained

Chris Cunningham, “Rubber Johnny” (2005) Started small as a commercial based on the idea of

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Australian and New Zealand Films | British Films

Night of the Hell Hamsters / Eel Girl: two efficient comedy horror film shorts

Paul Campion, “Night of the Hell Hamsters” (2005), “Eel Girl” (2008) Film shorts are a

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British Films

The Third Man: excellent character study of people coping with a changed world where old certainties are subverted

Carol Reed, “The Third Man” (1949) Here’s an excellent movie character study about the testing

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British Films

Repulsion: slow but very good psychological horror character study of sexual attraction / repression

Roman Polanski, “Repulsion” (1965) A good psychological character study of a young woman suffering mental illness

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British Films

Witchfinder General: dark and serious low-budget exploration of corruption, abuse and violence

Michael Reeves, “Witchfinder General” (1968) Loosely based on the exploits of the English 17th-century witch-hunters Matthew

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British Films

Number 17: confusing comedy caper not a prime example of Hitchcock’s work

Alfred Hitchcock, “Number 17” (1932) It has many of the ingredients of a typical Hitchcock

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