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Under Southern Eyes

A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.

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Comedy

Northern European Films

Troll Hunter: comedy horror flick works in popular Norwegian stereotypes and fears of a police state

January 3, 2015May 10, 2019·4 min read

André Øvredal, “Troll Hunter / Trolljegeren” (2010) Inspired perhaps by the example of “The Blair Witch Project” and “Man Bites Dog” from the 1990s and “Cannibal Holocaust” from…

Read article Troll Hunter: comedy horror flick works in popular Norwegian stereotypes and fears of a police state

Australian and New Zealand Films

What We Do in the Shadows: gentle satire and commentary on horror films and social problems

September 14, 2014May 10, 2019·5 min read

Taika Waititi and Jemaine Clement. “What We Do in the Shadows” (2014) Just when you think that everything that can be done in the horror film…

Read article What We Do in the Shadows: gentle satire and commentary on horror films and social problems

North American Films

Harvey: a gentle plea for tolerance and the desire to opt out of the rat race

August 17, 2014August 17, 2014·4 min read

Henry Koster, “Harvey” (1950) This film about a middle-aged bachelor whose only friend and companion happens to be an invisible giant bunny rabbit could have ended…

Read article Harvey: a gentle plea for tolerance and the desire to opt out of the rat race

Australian and New Zealand Films

The Plumber: quirky character study commenting on the gulf between social classes and the sexes

July 19, 2014July 19, 2014·4 min read

Peter Weir, “The Plumber” (1979) Originally made for television, this low-budget film combines the psychological thriller with cheerful larrikin Aussie black comedy and light commentary on…

Read article The Plumber: quirky character study commenting on the gulf between social classes and the sexes

Australian and New Zealand Films

The Cars that Ate Paris: oddball comedy horror satire on society and technological fetishism

June 21, 2014May 5, 2017·4 min read

Peter Weir, “The Cars that Ate Paris” (1974) Acclaimed Australian director Peter Weir’s directorial full-length debut is an oddball comedy horror flick that riffs on a…

Read article The Cars that Ate Paris: oddball comedy horror satire on society and technological fetishism

German and German-language Films

Love is Colder than Death: a study of nihilism and individuals’ relationships in a mercenary society

May 17, 2014May 20, 2014·4 min read

Rainer Werner Fassbinder, “Liebe ist kälter als der Tod / Love is Colder than Death” (1969) Gangster films might be an unusual choice for film-makers to…

Read article Love is Colder than Death: a study of nihilism and individuals’ relationships in a mercenary society

French and French-language Films

Frantic: a cool and not at all frantic lightweight homage to Hitchcock

March 16, 2014March 16, 2014·4 min read

Roman Polanski, “Frantic” (1988) For a film proclaiming itself “Frantic”, this suspense thriller is surprisingly cool, calm and collected as it follows its hapless protagonist doctor…

Read article Frantic: a cool and not at all frantic lightweight homage to Hitchcock

North American Films

The Wolf of Wall Street: a film of empty and numbing spectacle and comedy sketch

January 27, 2014January 28, 2014·5 min read

Martin Scorsese, “The Wolf of Wall Street” (2013) Adapted from the 2007 memoir by the former convicted stockbroker swindler and current motivational speaker Jordan R Belfort,…

Read article The Wolf of Wall Street: a film of empty and numbing spectacle and comedy sketch

British Films

Philomena: a gentle film gingerly side-stepping the exploitation of young women and their children for profit

December 30, 2013December 30, 2013·4 min read

Stephen Frears, “Philomena” (2013) A gentle film about an elderly woman searching for the son she was coerced into putting up for adoption half a century…

Read article Philomena: a gentle film gingerly side-stepping the exploitation of young women and their children for profit

Japanese Films

Suicide Club: gory horror flick intended as interrogation of the state of modern Japanese society

December 15, 2013December 15, 2013·5 min read

Sion Sono, “Suicide Club / Jisatsu Sakuru” (2002) Famous for its controversial premise, full-on gory presentation and an arresting opening sequence of 54 school-girls jumping off…

Read article Suicide Club: gory horror flick intended as interrogation of the state of modern Japanese society

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Under Southern Eyes

A personal journal of film and documentary reviews, and reviews of anything else that intrigues me.

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