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Tag: Comedy

North American Films

Hail Satan? – fun film about a Satanic movement with a serious message about social justice and religious hypocrisy and oppression

Penny Lane, “Hail Satan?” (2019) Funny and serious at the same time, tight and well

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Korean Films

Parasite: tale of two families is a stinging attack on capitalism and social hierarchy

Bong Joonho, “Parasite / Gisaengchung” (2019) A stinging attack on capitalism in South Korean society

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British Films | North American Films

Rocketman: the rise and fall and rise again of a beloved British rock / pop icon, with no reference to social and music trends

Dexter Fletcher, “Rocketman” (2019) Rather than playing as a straight biopic – a template that

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North American Films

The Chaperone: preferring a character stereotype over portraying the life of a real revolutionary cultural icon

Michael Engler, “The Chaperone” (2018) A film of self-discovery and self-transformation leading to personal freedom,

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Spanish Films

Ana by Day: exploring identity and the limits of freedom and pursuing one’s dreams

Andrea Jaurrieta, “Ana by Day / Ana de Dia” (2017) You feel vaguely dissatisfied with

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Russian and Soviet Films

Masha and the Bear (Season 1, Episode 17: Recipe for Disaster): Masha and kasha aren’t a good mix

Oleg Uzhinov, “Masha and the Bear (Season 1, Episode 17: Recipe for Disaster)” (2009) Despite

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Italian and Italian-language Films

Loro: a portrayal of political corruption and debauchery seduced by its own excess

Paolo Sorrentino, “Loro / Them” (2018) Originally made in two parts totalling three hours, this

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North American Films

Vice: satirical biopic is as empty as the man it lampoons

Adam McKay, “Vice” (2018) A rather patchy satirical study of the life of former US

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French and French-language Films

Normandy Nude: a light-hearted if flat comedy with a message about exploiting people and land for profit

Philippe le Guay, “Normandy Nude / Normandy Nue” (2018) One of a distinctly French genre

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North American Films

The Seagull (dir. Michael Mayer): a film adaptation of Chekhov’s play lacking good characters and direction

Michael Mayer, “The Seagull” (2018) Quite why this film adaptation of the famous play by

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