Chinese and Chinese-language Films | North American Films
The Farewell: thin plot, poor characterisation should have farewelled this film
Lulu Wang, “The Farewell” (2019) As a character study of an individual torn between her
Chinese and Chinese-language Films | North American Films
Lulu Wang, “The Farewell” (2019) As a character study of an individual torn between her
Penny Lane, “Hail Satan?” (2019) Funny and serious at the same time, tight and well
Bong Joonho, “Parasite / Gisaengchung” (2019) A stinging attack on capitalism in South Korean society
British Films | North American Films
Dexter Fletcher, “Rocketman” (2019) Rather than playing as a straight biopic – a template that
Michael Engler, “The Chaperone” (2018) A film of self-discovery and self-transformation leading to personal freedom,
Andrea Jaurrieta, “Ana by Day / Ana de Dia” (2017) You feel vaguely dissatisfied with
Oleg Uzhinov, “Masha and the Bear (Season 1, Episode 17: Recipe for Disaster)” (2009) Despite
Italian and Italian-language Films
Paolo Sorrentino, “Loro / Them” (2018) Originally made in two parts totalling three hours, this
Adam McKay, “Vice” (2018) A rather patchy satirical study of the life of former US
French and French-language Films
Philippe le Guay, “Normandy Nude / Normandy Nue” (2018) One of a distinctly French genre