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Under Southern Eyes

Tag: Film Noir

Australian and New Zealand Films

The Tracker: a desert Western study of European colonialism and exploitation and its effects

Rolf de Heer, “The Tracker” (2002) On the surface, a simple story of four men

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Japanese Films

High and Low: a crime thriller of downfall and redemption, and a plea for compassion for material and spiritual suffering

Akira Kurosawa, “High and Low” (1963) Most movies based on pulp crime / police procedural

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British Films | French and French-language Films

A trite plot and character stereotyping can’t lift “Paris 2054: Renaissance” from bland SF thriller genre

Christian Volckman, “Paris 2054: Renaissance” (2006) A glossy animated style of minimal black-and-white presentation, emphasising

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German and German-language Films

The American Friend: an investigation into the nature of individual and collective identity

Wim Wenders, “Der Amerikanische Freund / The American Friend” (1977) Based on the novel “Ripley’s

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North American Films

A cheap production and crude narrative make “Batman: the Killing Joke” very unfunny

Sam Lim and Bruce Timm, “Batman: the Killing Joke” (2016) That “Batman: the Killing Joke”

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Russian and Soviet Films

Sherlock Holmes and the Adventure of Safra, Magnitsky and Berezovsky in “Through Sherlock’s Eyes: The Letter M”

“Through Sherlock’s Eyes: The Letter M” (EZ Productions, 2014) Presented by Russian actor Vasily Livanov,

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Australian and New Zealand Films

Predestination: musing on identity, purpose and whether our fates are predetermined

Michael and Peter Spierig, “Predestination” (2014) Based on a short story by Robert Heinlein (“All

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German and German-language Films

The American Soldier: focusing on alienation and longing for connection

Rainer Werner Fassbinder, “Der Amerikanische Soldat / The American Soldier” (1970) A loosely stitched pastiche

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German and German-language Films

Gods of the Plague: a character study on social hypocrisy, loneliness and the destruction of dreams

Rainer Werner Fassbinder, “Götter der Pest / Gods of the Plague” (1970) Following on from

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German and German-language Films

Love is Colder than Death: a study of nihilism and individuals’ relationships in a mercenary society

Rainer Werner Fassbinder, “Liebe ist kälter als der Tod / Love is Colder than Death”

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