Hollywood Films – Page 13 – Under Southern Eyes

Regulation: character study of how a police state controls citizens through small decisions and actions

Ryan Patch, “Regulation” (2019) Set in the not-too distant future, in perhaps a post-industrial /

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Bill Condon, “The Good Liar” (2019) Getting two giants of British stage and film proved

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Rian Johnson, “Knives Out” (2019) At times playing like a spoof of the classic whodunnit

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Nicholas Wenger, “The Kid” (2018) “The Kid” is a six-minute proof-of-concept film made to demonstrate

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Gavin Hood, “Official Secrets” (2019) As fictional dramatisations of real events go, “Official Secrets” passes

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Elan Dassani, Rajeev Dassani, “Seam” (2017) An excellent little film that could serve as a

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Will Lowell, “Custom Order” (2017) Looks like I hit a dud sci-fi short for once

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Rupert Goold, “Judy” (2019) Adapted from Peter Quilter’s musical stage drama “End of the Rainbow”,

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Lulu Wang, “The Farewell” (2019) As a character study of an individual torn between her

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Bill Tytla, “Little Audrey – Tarts and Flowers” (1950) Part of a series of cartoons

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