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Tag: Hollywood Films

North American Films

The Shining: a histrionic epic horror film saved by its themes of control and alien manipulation

Stanley Kubrick, “The Shining” (1980) In most directors’ hands, a Stephen King horror novel of

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North American Films

Snowden: a riveting character study of personal transformation and commitment to personal ideals

Oliver Stone, “Snowden” (2016) Surprisingly even though I’m familiar with the story of National Security

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North American Films

Cold Souls: a dull, flat and unsatisfying comedy about materialism and the nature of identity and existence

Sophie Barthes, “Cold Souls” (2009) In the vein of Charlie Kaufman’s “Being John Malkovich” but

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Italian and Italian-language Films | North American Films

The Last Man on Earth: still retaining the power to shock and horrify with a message of post-apocalyptic despair and existential angst

Ubaldo B Ragona and Sidney Salkow, “The Last Man on Earth” (1964) Over 50 years

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North American Films

Dial M for Murder: entertaining and witty murder mystery shows Hitchcock on a creative roll

Alfred Hitchcock, “Dial M for Murder” (1953) A clever and witty murder mystery with fine

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North American Films

A cheap production and crude narrative make “Batman: the Killing Joke” very unfunny

Sam Lim and Bruce Timm, “Batman: the Killing Joke” (2016) That “Batman: the Killing Joke”

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North American Films

Under Capricorn: a psychological romantic melodrama of intense emotion, suspense and redemption

Alfred Hitchcock, “Under Capricorn” (1949) Set in the early days of the British colony of

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North American Films

New York, New York: a homage to and a subversion of Hollywood / Broadway glamour, fame and artifice

Martin Scorsese, “New York, New York” (1977) One of Martin Scorsese’s most under-rated films, in

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North American Films

Modern Times: sympathy for the underdog and horror at a machine society enforcing conformity and repression

Charlie Chaplin, “Modern Times” (1936) In its own way, “Modern Times” is significant as an

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North American Films

Freaks: a sympathetic work that pleads on behalf of its performers and turns normality on its head

Todd Browning, “Freaks” (1932) A unique cult film of the kind that can be said

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