British Films | North American Films
Tenet: beneath the gloss and sci-fi gibberish, a banal plot with flat characters appears
Christopher Nolan, “Tenet” (2019) For an example of how not to make a blockbuster sci-fi
Tag: Hollywood Films
Oppenheimer: intriguing character study / legal drama on the use and misuse of power
Christopher Nolan, “Oppenheimer” (2023) Aside from all the Hollywood fanfare fluff surrounding its release, Christopher
Hollywood tries to squeeze blood out of the stone that is “Kong: Skull Island”
Jordan Vogt-Roberts, “Kong: Skull Island” (2017) An example of how post-2000 Hollywood is squeezing as
Bram Stoker’s Dracula: a lavish and surreal film skirting over social issues in Western society now and in the 1890s
Francis Ford Coppola, “Bram Stoker’s Dracula” (1992) A visually lavish and often surreal presentation, Francis
The Miseducation of Cameron Post: a sketchy work on psychological abuse and repression in a gay conversion centre
Desiree Akhavan, “The Miseducation of Cameron Post” (2018) Set in 1993, this coming-of-age drama follows
British Films | North American Films
SPECTRE: behind a gritty and stylish front, old Bondian stereotypes return
Sam Mendes, “SPECTRE” (2015) As James Bond films go, “Spectre” looks gritty and stylishly in
Renfield: camp horror comedy suffers from co-dependency on too much CGI splatter violence
Chris McKay, “Renfield” (2023) A cheerfully cheesy vehicle for Nicolas Cage to finally fulfil his
Blacula: cheap and campy cult classic given backbone by its monster
William Crain, “Blacula” (1972) In 1780, a noble African Prince (William Marshall), known as Mamuwalde,
Living: a lifeless film about living with meaning and purpose
Oliver Hermanus, “Living” (2022) A gentle if sad and understated film, Oliver Hermanus’s “Living” is
French and French-language Films | North American Films
Clash of two codes of honour and loyalty in “Ghost Dog: The Way of the Samurai”
Jim Jarmusch, “Ghost Dog: The Way of the Samurai” (1999) Even after twenty years, this