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Tag: Horror

North American Films

Swing You Sinners! – horror morality story goes to extremes in imaginative animation

Dave Fleischer, “Swing You Sinners!” (1930) A bizarre little cartoon short, filled with the most

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North American Films

The Curse of La Llorona: cursed by cheap thrills and Hollywood horror film cliches

Michael Chaves , “The Curse of La Llorona” (2019) As his full-length movie directorial debut,

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French and French-language Films

Last Year at Marienbad: a comic and often repetitive satire on the empty lives of the wealthy

Alain Resnais, “Last Year at Marienbad / L’Année dernière à Marienbad” (1961) At times hilarious,

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French and French-language Films

Climax: French society in microcosm with all its stresses, anxieties, hidden secrets and a dark puppet-master

Gaspar Noe, “Climax” (2018) In the hands of Argentine-French director Gaspar Noe, a story about

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North American Films

The Invisible Man’s Revenge: a messy plot and flat uninteresting characters underline this cheap film

Ford Beebe, “The Invisible Man’s Revenge” (1944) It could have been an interesting character study

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Italian and Italian-language Films

Don’t Torture a Duckling: behind the sensationalism, a surprisingly thoughtful and critical film

Lucio Fulci, “Don’t Torture a Duckling / Non si sevizia un paperino” (1973) Fret not,

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British Films

The Wicker Man: a satire on religious bigotry and fanaticism

Robin Hardy “The Wicker Man” (1973) In spite of a small budget and the set-backs

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British Films | North American Films

Equus: a psychodrama of outstanding performances and troubling philosophical questions about individuality and creativity

Sidney Lumet, “Equus” (1977) He never won an individual Academy Award for Best Movie or

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Australian and New Zealand Films

Innocent Prey: lightweight slasher film with an improbable soap opera plot and hammy acting

Colin Eggleston, “Innocent Prey” (1983) Maybe the problem is her southern Texan drawl or the

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Australian and New Zealand Films

Kadaicha: a forgettable teen horror flick from the late 1980s

James Bogle, “Kadaicha” (1988) From the early 1970s to the late 1980s, thanks to increased

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