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Tag: Horror

North American Films

Spring: character study on renewal through love and connections, and beating back monsters

Justin Benson and Aaron Moorhead, “Spring” (2014) A rather long and thin character study romance

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North American Films

Night of the Living Dead: cult horror classic is a character study and commentary on American society

George A Romero, “Night of the Living Dead” (1968) Made on a minuscule budget, George

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British Films

The Cook, the Thief, his Wife and her Lover: a parable on the decline and fall of neoliberal British society and culture

Peter Greenaway, “The Cook, the Thief, his Wife and her Lover” (1989) Straight away viewers

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Japanese Films

In the Realm of the Senses: two lovers pursuing happiness and freedom in a repressive society

Nagisa Oshima, “Ai no korida / In the Realm of the Senses” (1976) Forty years

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Japanese Films

Dead Sushi: wacky comedy horror film takes pot-shots at corporate culture and greed, and food obsessions

Noboru Iguchi, “Dead Sushi” (2012) In the tradition of wacky Japanese comedy horror flicks comes

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Japanese Films

Ugetsu: a parable of two men in pursuit of fame and glory, with social justice themes

Kenji Mizoguchi, “Ugetsu” (1953) Two interwined morality plays about peasants blinded by thoughts of personal

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North American Films

The Shining: a histrionic epic horror film saved by its themes of control and alien manipulation

Stanley Kubrick, “The Shining” (1980) In most directors’ hands, a Stephen King horror novel of

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Japanese Films

Onibaba: a psychological horror study with an anti-war theme

Kaneto Shindo, “Onibaba” (1964) An old Japanese Buddhist tale of a woman who uses a

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French and French-language Films

Supervenus: a 3-minute critique on Western standards of female pulchritude and the damage they cause

Frédéric Doazan, “Supervenus” (2013) This 3-minute debut effort for writer / director Frédéric Doazan is a devastatingly

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Italian and Italian-language Films | North American Films

The Last Man on Earth: still retaining the power to shock and horrify with a message of post-apocalyptic despair and existential angst

Ubaldo B Ragona and Sidney Salkow, “The Last Man on Earth” (1964) Over 50 years

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