Australian and New Zealand Films
The Cars that Ate Paris: oddball comedy horror satire on society and technological fetishism
Peter Weir, “The Cars that Ate Paris” (1974) Acclaimed Australian director Peter Weir’s directorial full-length
Tag: Horror
The Manchurian Candidate: a layered and intense film on the abuse of power
John Frankenheimer, “The Manchurian Candidate” (1962) At some point during the Korean War in 1952,
Memoria: a tight closed narrative loop with no chance of forgiveness or redemption
Elísabet Ýr Atladóttir, “Memoria” (2013) A creepy psychological character study, “Memoria” is very depressing to
The Backwater Gospel: a darkly grim Gothic satire on religious fanaticism, mob rule and the fear of death
Bo Mathorne, “The Backwater Gospel” (2011) In a total running time of just over nine
Kwaidan: a lesson in four parts about having contact with the spirit world
Masaki Kobayashi, “Kwaidan” (1964) Often billed as a horror film, “Kwaidan” is in fact a
Suicide Club: gory horror flick intended as interrogation of the state of modern Japanese society
Sion Sono, “Suicide Club / Jisatsu Sakuru” (2002) Famous for its controversial premise, full-on gory
Blancanieves: silent Gothic melodrama of a brief summer of shining innocence before a long winter of fascism
Pablo Berger, “Blancanieves” (2012) In the style of old 1920s expressionist silent films, Berger’s “Blancanieves”
Italian and Italian-language Films
The Case of the Bloody Iris: trashy serial killer entertainment set in a changing Italy during the early 1970s
Giuliano Carnimeo, “The Case of the Bloody Iris” (1971) Known also as “What are those
Shadow of a Doubt: innocence, a happy family and insular small town America menaced by an outside force
Alfred Hitchcock, “Shadow of a Doubt” (1942) A dark film that explores the potential for
Stoker: psychological thriller let down by stereotyped characters and poor scripting
Park Chanwook, “Stoker” (2013) Appropriately Chanwook Park’s Hollywood directing debut is a psychological thriller featuring